The Common Language of Clay
For me, I think of ceramic pottery as a rich cultural tradition that is celebrated in my home country of Nicaragua. As a child I remember my mother cooking tortillas on her favorite comal and serving my favorite meals, such as nacatamales and baho, on ceramic serving dishes. I began working with clay when I produced ceramic water filters at the factory, Filtron, to purify water in communities that did not have access to clean drinking water. I became interested in learning how to throw so I served in an apprenticeship at San Juan de Oriente, Masaya and began throwing my own pots on a kick wheel with locally sourced and processed terracotta clay. In order to promote pottery, provide technical support, and help local artisans access markets, I led brigades of international potters to northern communities in Nicaragua to give and receive workshops, build kilns, and engage in cultural exchanges. When I moved to Saint Peter, Minnesota in 2018, I began exploring high fired glazes with wood, gas, and electric firing techniques. My favorite aspect of pottery is that whether it is rustic or refined, made out of fancy tools or salvaged materials, people and cultures can come together to enjoy a meal with their favorite pot or appreciate a work of art as they speak the common language of clay.